文化研究第32辑(2018年·春)图书
Cultural Studies Vol.32
[内容简介] 本辑“听觉文化研究”专题对以下问题做了颇具开拓性的探析。如听觉文化研究提出的背景是什么?强调听觉文化研究是为了对抗“视觉霸权”吗?如何研究现代作家笔下的“声景”?广播如何塑造了想象的共同体?“亚文化研究”专题则呈现了西方学术界关于亚文化与后亚文化的争议。其他文章,如对电子游戏在中国的去污名化过程的分析,从文学地理学的角度分析21世纪以来的诗歌创作,以及对宫斗题材作品的乌托邦建构的分析,也颇有可读之处。
主编的话
《文化研究》编委会
《文化研究》稿约
专题一 听觉文化研究
主持人语
转向听觉文化
一 中国路径:叙事学和文化研究中的“听觉转向”
二 西方资源:美学和媒介理论中的“听觉转向”
三 转向听觉文化:逻辑起点及其问题域
何以走向听觉文化
一 听觉时间的凝固:从转瞬即逝到反复审度
二 听觉空间的突破:公共与私人
三 信息爆炸下的自我清理:理性认知与感性认识
四 电子合成与噪音处理:从被动接受到主动参与
上海的声景:现代作家的都市听觉实践
一 “市声”:听觉体验与城市声景
二 “大上海的呼声”:现代性经验的声音形式
三 鲁迅:批判性的聆听姿态
四 张爱玲:战时都市的听觉漫游
结语
广播与想象的共同体
专题二 亚文化研究
主持人语
后亚文化转向:十年后的一些反思
后亚文化理论中的关键概念
新部落
有品质的生活方式
场景
后亚文化:一种碎片化的话语?
作为文化民粹主义的后亚文化
后亚文化与政治
后亚文化和对阶级的否定
结论:(后)亚文化的未来
“我们只是一起闲逛”:青年文化与社会阶级
引言
关于青年亚文化的观点
研究方法
现场调查
研究成果
1.群体认同
2.社会阶级与群体认同
论述与结论
青年亚文化现象的本质与类型
青年亚文化
“新伊丽莎白时代的人们”:20世纪中期英国小说中青年亚文化的再现
其他论文
恐慌的消逝:从“电子海洛因”到电子竞技
一 文献综述:人们为何害怕电子游戏?
二 研究框架
三 危险的空间
(一)“电子海洛因”的控诉
(二)政府对游戏场所的整治
四 成瘾的危机
(一)“道德改革家”的判定
(二)“规范执行者”的矫正
五 消失的污名
(一)网络游戏的流行迭代
(二)国家政策的松绑与支持
(三)玩家的崛起与反击
结语
国家形象建构中的抗战创伤叙事
引言
一 《父子老爷车》中的“热记忆”与民族认同
二 《父子老爷车》中“热记忆”冷处理的文化寓意与记忆伦理
三 作为后革命时代抗战叙事征兆的《父子老爷车》
结语
新世纪东北喜剧的师/父表述与青年主体再生产
一 重写父老:从“师傅”到“师父”
二 作为青年文化的“二人转”与“喊麦”的父名
三 流散东北喜剧人怀旧中的无父之地
从地方到空间:新世纪诗歌的地理视角考察
一 诗歌作为人文地理坐标
二 地方差异的个人化表达
三 “北漂”诗歌:底层经验的空间差异
四 地方性的错位和融合
结语
新中国单位组织制度下的话剧生产
一 院党组决策模式的逐步建立(1952~1955年)
二 企业化发展模式下的“花开”(1956~1957年)
三 “革命化”斗争模式下的“花落”(1963~1966年)
替代性的欲望满足:宫斗题材作品中的乌托邦书写
一 当前宫斗剧的现状与乌托邦建构
二 创作的贫乏:对资本与受众的迎合
三 文化政治的视角:私人维度的替代性满足
不合“时”宜的块茎文本:读《朝霞》
一 少年游荡者与“同代人”
二 碎片式书写的“剩余”之物
三 用块茎思维写作或记忆
小结
中国大众文艺中古典意象的同质化问题
一 意象“家族”及意象的同质化
二 同质化的表现与后果:作品的意象泛滥以及形式与内容的脱节
三 同质化的原因探究
四 对同质化的超越
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